A graduate of Saint Martin’s in London, AJ Laas dismantles and evaluates the epidemic of despondency within society today. Living in constant fear of rejection or obsolescence, by man or machine, souls are forced to live inauthentically by investing vast amounts of their emotional selves for a proclamation that they neither subscribe to nor agree with.


Brought up in an environment that offered hope, promise, and humour to an artist, he observed the devolving promise of a talented writer. Laas later became aware this environment was offering somewhat of a performative aspect within the everyday that mirrored perfectly what was going on in our wider society. Teaching him that beneath every veneer stands an absurdist struggle under the weight of depersonalising agenda. To only then himself be coerced into the same antiquated systems his Father battled against.

Fascinated by gesture, both formally and philosophically, the work attempts to engage political discourse through metaphysical attrition and establish an aspect of autheticity in each scenario. Ultimately hoping to erode any notion of artifice through clarity of intention – the only real principal is that the work should have purpose outside of itself.

Previous themes have gathered around an intersection between politics and the metaphysical, maintaining the hypothesis that global systems have a coherent voice that denotes you trust without question. In a world dominated by capitalist hypocrisy life can appear as a moment of merchandising in a way. …human beings can be considered a ‘moment’ in this process of reification. (Bourriaud, 2017)


/ Biography

Birth. Hiatus. D̶e̶a̶t̶h̶.

/ Awards & Residencies

2019. Aesthetica Art Prize, UK (Longlist)
2018. Artquest SEED Award,
UK (Finalist)
2018. Arbeit Residency – Mayfair, London, UK
2018. David Ward International Award for Innovation, UK
2018. Solo Award, Chiara Williams Contemporary, UK (Longlist)
2015. Best Moving Image
, Drum Marketing Awards, UK (Shortlist)

/ Selected Exhibitions

2019. Dear My Little Prince / Extended show – MoCa, Busan, Korea
2019. Aesthetica Art Prize,
York Art Gallery, York, UK
2018. Dear My Little Prince
K Museum of Contemporary Art, Seoul, Korea
2018. (H)AKT: Art & Haktivism
Ugly Duck, Tanner St, London
2018. Mayfair Fringe Festival – Mayfair, London
2018. Show One Lethaby Gallery, Granary Square, London
2018. Coeval / Prototype – Artist led. Archway, London
2018. Overpr!ntMuseum Centre de la Gravure, La Louvière, Belgium
2018. Studio Complex – Blavatnik Building, Tate Modern, London
2017. Metaphors & Spaciality – Sichuan University Fine Arts Institute, Chongqing, China
2017. Speedball / Prototype – Artist led. Archway, London
2017. Postgraduate Art Auction, by Southeby's – Lethaby Gallery, London
2017. Visual Poetry – Black Stone Gallery, Chengdu, Sichuan Province, China
2017. Metaphors & Spaciality – Wuhouci Gallery, Shanghai, China
2017. Frameless / Prototype – Artist led. Archway, London
2017. Annihilation Event – curated by D. Rubinstein. Lethaby Gallery, Granary Square, London
2017. Somehow You and I Collide – curated by M. Hulson. The Laundry, London
2017. Annihilation / Prototype – Blavatnik Building, Tate Modern, London
2017. This Is An Art School – Blavatnik Building, Tate Modern, London
2016. Open Studio Show – Artist led. WAS, London

/ Publications

2019. Aesthetica Top 100 Artists, 2019 Edition
2017. A5 Magazine, November Edition
2017. WOTISART Magazine, November Edition

/ Education

2018. MA, Central St Martins, University of the Arts, London
2010. BA (Hons), University of Wales Trinity St David

/ Teaching

Visiting Artist - XD Pathway BA(hons), Central Saint Martins, UAL

/ Commissions

2019. Heineken, Qatar Petroleum, VISA
2017. Channel 4, ITV
2016. Mercedes-Benz, Pret A Manger, BBC
2015. Diageo, Sybarite, Gleneagles, Al Jazeera, ITV, Wicker's World
2014. Coca-Cola, Gather & Gather, Ubisoft, Lejay-Lagoute, Johnnie Walker
2013. Sky, HRH, Red Bull

/ Events

2017. Factory: The Seen and The Unseen – Clare Twomey. Tate Modern, London
2016. Camberwell Arts Festival – London